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한자 음운학
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한자 음운학

  • 당작번
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  • 교육과학사
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  • 2015-05-30 출간
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  • 307페이지
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  • 176 X 248 mm
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  • ISBN 9788925409467
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15,000원

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14,850 원

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2,500원

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출판사서평




학습과 교류를 위해서는 음의 파악은 필수적이다. 이 때문에 표음기능이 불완전한 한자에 표음기능을 부여하기 위해 일찍부터 표음방법 및 음운기술에 대한 연구가 시작되었고, 그 역사는 한자의 역사만큼이나 심원하였다. 중국에서는 반절(反切)과 운서, 운도 및 각종 표음방법을 고안하여 한자의 표음기능을 강구하였고, 조선에서는 한자의 음운에 대한 유구한 연구전통을 바탕으로 “훈민정음”이라는 초유의 표음문자를 창제하여 한자의 표음한계를 극복하였다. 결국 천여 년 동안 동아시아에서 집적되어 온 음운학 연구는 사실상 한자의 불완전한 표음기능 때문에 생겨난 연구전통이라고 할 수 있다. 그러므로 한자를 공동 문자로 사용했던 동아시아 지역에서 각 지역의 한자음의 생성과 발전에 통달하고 각 지역의 음을 대조 연구하기 위해서는 한자의 전통 언어학, 즉 “한자 음운학”에 정통해야 할 것이다. 이 책은 북경대학 당작번(唐作藩) 교수의 ≪音韻學敎程≫ 제4판을 번역한 것이다.


목차


· 저자의 한국어판 서문?3
· 역자의 글?7

Ⅰ. 서론······························································································13
1. 음운학의 연구 대상 ····································································14
2. 음운학의 효용성 ··········································································18
3. 음운학의 학습방법 ······································································30

Ⅱ. 음운학의 기본지식·····························································35
1. 중국어 음운구조의 특징 ······························································36
2. 반절 ····························································································40
연습 1 ························································································53
3. 성뉴(聲紐)의 개념 ·····································································54
연습 2 ························································································69
4. 운모의 개념 ················································································70
5. 성조의 개념 ················································································87
6. 등운도 ·························································································98
연습 3 ······················································································114

Ⅲ. ≪광운≫의 음계····································································115
1. ≪광운≫의 유래와 체계 ·······························································11
62. ≪광운≫의 성격 ··········································································137
연습 4 ······················································································148
3. ≪광운≫의 성모체계 ····································································149
4. ≪광운≫의 성모와 현대 표준중국어 성모의 비교 ························168
연습 5 ······················································································181
5. ≪광운≫의 운모체계 ····································································182
연습 6 ······················································································211
6. ≪광운≫운모와 현대 표준중국어 운모의 비교 ·····························212
7. ≪광운≫의 성조 ··········································································227
연습 7 ······················································································237
8. ≪광운≫ 음계의 재구 ··································································238
9. ≪광운≫ 반절의 규율 ··································································246
연습 8 ······················································································254

Ⅳ. 한자 음운학의 역사························································255
1. 운서 탄생 이전의 고음연구 ······················································256
2. ≪광운≫ 이후의 운서 ··································································269

· 주요 참고서적?284
· 필자의 후기?285
· 덧붙이는 말?287
· 개정판2판 후기?288
· 개정판2판 서문?289
· 개정판3판 후기?292
· 개정판4판 후기?293
· 음운산유람기?294
· 찾아보기?302
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