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  • 오대혁
  • |
  • 피앤피커뮤니케이션즈
  • |
  • 2019-02-28 출간
  • |
  • 424페이지
  • |
  • 188 X 257 mm
  • |
  • ISBN 9791186024614
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[특징]

교양인의 말글살이와 한국문학
소통이 문제가 되는 사회다. 가정과 사회가 빚어내는 갈등이 불통에서 비롯되는 것이 아니겠는가? 그러한 갈등은 언어로 표출되고, 언어를 두고 그 마음을 읽어내고 그 마음에 울고 웃는 사회다. 쉴 새 없이 접속은 시도되지만, 그 접속이 도대체 누구를 향해 있는지 제대로 된 접속은 없고 계속 끊어지고 만다. 수많은 종잇장을 버려가며 써내려가던 종이 편지를 버리고, 전자편지와 인스턴트 메시지가 끝없이 이어지지만 진정한 마음을 담은 글들은 잘 보이지 않는다.

우리는 빠른 소통의 방식을 선택하면서 진정한 소통을 버리고 있는지도 모르는 일이다. 진정한 소통이 단절된 것에는 여러 이유가 있겠지만, 무엇보다도 교양인이 갖춰야 할 말글에 대한 공부가 부진한 데서 그 단절의 원인을 찾아볼 수 있다.

현대를 살아가는 사람들에게는 말글에 대한 천착이 무엇보다 중요하다. 말글은 생계를 유지하게 하며, 나아가 인간다운 삶을 살아가는 바탕이 되기 때문이다. 말글을 잘 다룰 줄 아는 사람이 많은 사회가 건강한 사회일 수 있고, 민주화된 세상이 될 수 있다.

그런데 말글을 효율적이면서도 의미 있게 사용하려면 갖춰야 할 부분이 적지 않다. 그중에서도 말글의 규범이라 할 ‘표준어’와 ‘한글맞춤법’을 정확히 지키는 것은 말글에 의한 소통의 기본이 될 것이다. 그리고 반만년의 역사와 함께 성장하고 변화해온 한국인의 문학은 이 땅을 살아나가는 사람들이 잘 알고 향유해야 할 문화적 자산이라 하겠다. 건강한 말글살이를 위한 어문규범에 대한 공부, 나아가 한국인의 사상과 감정을 온전하게 담고 있는 한국문학에 대한 이해가 무엇보다 중요하다.

최근에는 모든 부분들이 전문화되고 세분화되면서 말글살이 역시 분야별로 다양한 책들을 선보여 왔다. 그런데 너무 세분화되다 보니 말글살이를 종합적으로 다루고 있는 책들이 잘 보이지 않는다. 세분화도 중요하지만 종합적으로 한눈에 들여다볼 수 있는 책도 필요한 법이다.

이런 문제를 인식한 필자는 한국어 규범과 한국문학 전 분야를 다루어 대학생들이나 수험생들, 나아가 한국인이라면 누구나 가까이 두고 볼만한 책을 내놓을 필요를 느꼈다. 그래서 이 책은 표준어와 어법에 맞는 글, 고전문학과 현대문학, 나아가 구비문학과 한국한문학까지 한국인의 말글살이 전반에 걸쳐 일목요연하게 정리해 놓았다. 이 책을 통해 진정한 소통을 원하는 교양인들이 많은 도움을 받을 수 있기를 기대해 본다.

오대혁 배상(拜上)


목차


PART 01. 국어학
Chapter 01. 국어에 대한 이해 ? 10
1. 언어로서의 국어 ························································································· 10
2. 언어와 인간 ······························································································· 18
3. 국어의 언어적 특징 ····················································································· 21

Chapter 02. 훈민정음과 한글 ? 27
1. 한글의 우수성 ····························································································· 27
2. 문자의 유형 ································································································ 27
3. 한글의 제자 원리 ······················································································· 28

Chapter 03. 표준어와 방언 ? 36
1. 어문 규범 ·································································································· 36
2. 어문 규범의 종류 ························································································ 39
3. 표준어와 방언 ···························································································· 41

Chapter 04. 언어 예절 ? 81
1. 여러 가지 인사법 ······················································································· 81
2. 호칭어와 지칭어 ························································································ 85

Chapter 05. 올바른 국어 사용 ? 93
1. 어휘의 잘못 바로잡기 ················································································· 93
2. 관용 표현 ·································································································· 97
3. 조사와 어미 바로 쓰기 ··············································································· 100
4. 모호한 문장 ······························································································ 102
5. 문장 성분 간의 호응 등 ·············································································· 102


PART 02. 고전문학
Chapter 01. 총론 ? 110
1. 한국문학의 범위와 영역 ············································································ 110
2. 한국문학의 전개 ······················································································· 113
3. 한국문학의 특질 ······················································································· 115

Chapter 02. 고전시가 ? 121
1. 고대가요의 세계 ······················································································ 121
2. 향가의 성격과 주요 작품 세계 ··································································· 133
3. 고려가요의 성격과 주요 작품 세계 ····························································· 149
4. 경기체가의 성격과 주요 작품 세계 ······························································ 164
5. 악장의 성격과 주요 작품 세계 ···································································· 171
6. 시조의 특징과 흐름 ··················································································· 182
7. 가사의 유형별 이해 ··················································································· 206

Chapter 03. 고전산문 ? 227
1. 고소설의 형성과 전개 ················································································· 227
2. 판소리계소설 ····························································································· 244
3. 고전 수필문학 ···························································································· 253

Chapter 04. 한문학 ? 258
1. 한국 한문학의 사적 흐름 ·············································································· 258
2. 한시 감상 ·································································································· 278
3. 한문소설 감상 ···························································································· 285
4. 한문수필 감상 ···························································································· 293

Chapter 05. 구비문학 ? 300
1. 설화의 특징과 갈래 ····················································································· 300
2. 민요의 특징과 갈래 ····················································································· 314
3. 무가의 특징과 서사무가 ··············································································· 319
4. 판소리의 특징과 구성 요소 ·········································································· 325
5. 민속극의 특징과 작품 세계 ·········································································· 332
6. 속담의 특징과 유형 ····················································································· 338
7. 수수께끼의 특징과 유형 ··············································································· 342


PART 03. 현대문학
Chapter 01. 현대문학의 이해총론 ? 348
1. 현대문학의 범위 ························································································· 348
2. 현대문학의 갈래와 개념 ··············································································· 348
3. 한국 현대문학의 흐름 ·················································································· 349

Chapter 02. 현대시 ? 352
1. 한국 현대시의 특징 ····················································································· 352
2. 한국 현대시의 흐름 ····················································································· 354
3. 한국 현대시 주요 작품 이해 ········································································· 363

Chapter 03. 현대소설 ? 375
1. 한국 현대소설의 특징 ·················································································· 375
2. 한국 현대소설의 흐름 ·················································································· 377
3. 한국 현대소설 주요 작품 이해 ······································································ 388

Chapter 04. 현대수필 ? 401
1. 한국 현대수필의 특징 ··················································································· 401
2. 한국 현대수필의 흐름 ··················································································· 402
3. 한국 현대수필 주요 작품의 이해 ···································································· 404

Chapter 05. 현대희곡 ? 410
1. 현대희곡의 특징 ··························································································· 410
2. 한국 현대희곡의 흐름 ··················································································· 412
3. 한국 현대희곡 주요 작품의 이해 ····································································· 417
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